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Senate rejects proposal approved in the House that transferred funds from Fundeb to schools linked to churches

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São Paulo – The Fundeb regulation project approved by the Chamber on the 10th of this month was rejected in the Senate tonight (15). After several criticisms of the text of the rapporteur, deputy Felipe Rigoni (PSB-ES), who disfigured Constitutional Amendment (EC) 108 approved in August, there was agreement to return the project after a symbolic vote.

The rapporteur of the matter in the Senate, Senator Izalci Lucas (PSDB-DF), who had incorporated in his text measures such as removing the transfer of resources from Fundeb to private schools, including those linked to churches, and also to the S system, ended up stepping back from presenting its report.

The text returns to the Chamber of Deputies where, according to Izalci, President Rodrigo Maia (DEM-RJ), undertook to analyze the proposal on Thursday (17).

There was strong pressure from parliamentarians on the Senate reporter, Senator Izalci Lucas (PSDB-DF). Senator Paulo Paim (PT-RS) read in full the letter from the National Confederation of Workers in Education (CNTE) sent to the Senate. “The consequences of Fundeb’s vote in the Federal Chamber are disastrous for Brazilian education, as they compromise the objectives of expanding enrollments with quality in all stages and modalities of basic education. The text aims at transferring part of the current public enrollments to the private sector (with or without agreement with the government), making it impossible to serve children and young people who are out of school ”, says the letter.

Resist

Paim joined other senators, pointing out that the poorest municipalities in the interior of the country, which most need investments in education, will be the most penalized. They will have limited resources while private schools, which serve less than 20% of all Brazilian students, will be part of Fundeb.

“The Senate blocked the Chamber’s attempt to divert funds from Fundeb to serve private schools. With scrapped and abandoned public schools, it would be a crime to finance institutions that serve extremely privileged sections of society, ”said Senator Fabiano Contarato (Rede-ES).

“Congratulations to the Federal Senate. You saved public education! It is up to the Chamber of Deputies to maintain serenity and responsibility, approving the text approved now in the Federal Senate. Victory of the social movements of education ”, wrote the professor of the Faculty of Education of USP, Daniel Cara, in his social networks.

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Economy

Book addresses transformations in rap through changes in society

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São Paulo – Society undergoes several changes, year after year, be it culturally, in its forms of organization, and even in new working methods. These transformations influence other segments, including Hip-Hop, rap and their MC battles. In view of this, social scientist Felipe Oliveira Campos, known as Felipe Choco, launched the book Rap, Culture and Politics: Battle of the Matrix and the Aesthetics of Entrepreneurial Overcoming, which addresses the digital and marketing influence within this culture.

A member of the Center for Studies and Research of Afro-America (Nepafro), Choco analyzes contemporary society using the Battle of the Matrix held in São Bernardo do Campo as a pillar since 2013, and considered a reference in the duel between MCs. The resistance of the event, the target of police repression and municipal administration, was the starting point for the author.

“When I face the Battle of the Matrix, it poses a number of questions that can be deepened, being able to understand it beyond the context of battles, as public spaces in cities”, he explains. “When the Battle of the Matrix emerged, I was part of the Hip-Hop Forum of São Bernardo do Campo, and mediated conflicts with the Government. Therefore, I realized that the conflicts that the battle created when occupying the public space, raised questions of general interest. So I used the Battle of the Matrix as a way to understand contemporary Brazil, ”added Choco.

In 2018, RBA reported the repression suffered by the battle of ABC Paulista. At the time, the management of the mayor of São Bernardo do Campo, Orlando Morando (PSDB), tried to “boycott” the traditional rap event in the city, by charging a fee for using the Praça da Matrix, in the city center. At various times, rapper Emicida went to the site to support young people.

Social transformations

While society sees new forms of organization, rap also adapts to these changes. The writer compares the professionalization of artists and battles to the industrialization of the city of São Bernardo do Campo and Posse Hausa, a black organization founded in the 1990s, focused on the Hip-Hop movement, whose majority of the members were workers in the ABC industry Paulista.

With the 2017 labor reform, by then President Michel Temer (MDB-SP), Felipe Choco explains that the social dynamics have also changed within the Hip-Hop culture. “Today, the organizers of the Battle of the Matrix are part of the service sector, without stability and without social protection. Therefore, the financial solution, among the organizers, was the professionalization of the event. This applies to the whole culture. ”

The main example used by the author of these social and economic transformations in rap is Emicida’s career. Coming from the Battle of Santa Cruz, disputed south of São Paulo, the rapper emerged using the main method of rhyming duels: the punchlines – in Portuguese, punch lines, used to impress the listener.

After the success, the rapper created his own musical label: Laboratório Fantasma. “Emicida created a horizon to organize its own career, without having to go through the distributors’ screen. In other words, it is the democratization of music production, distribution and consumption ”, said Choco, who recalls that the book’s presentation is signed by the MC.

Aesthetics of entrepreneurial overcoming

Based on the phenomenon achieved by Emicida, the social scientist points to the creation of a new aesthetic within rap: that of entrepreneurial overcoming. According to him, this aspect allows creative freedom and financial autonomy, creating a style of business organization.

“This overcoming does not mean denying the culture’s past, but advancing in the market sense, creating a mark around the artist”, he explained. The author quotes a statement by Mano Brown, a member of Racionais, where the rapper points out that the phonographic market is no longer just the commercialization of music, but also the image and positioning of MCs.

This aesthetic creates a new notion of work and organization, according to the author. “If we make a parallel with the industrial market, in the 1990s, work was in opposition to capital, where the organization of the workforce sought its valorization. Now, in the face of informality and the imposition that ‘each one is an entrepreneur of their own’, artists become their own business capital ”, he reiterates.

However, this entrepreneurial resilience does not only involve rappers and new independent labels, but also affects the battles of MCs, including the Matrix. With the rise of streaming platforms such as YouTube, duels have become more digital, have reached new audiences and created a new market.

“The Battle of the Matrix is ​​a product of that condition that battles have become. Before the pandemic, every Tuesday, she mobilized 1,000 people in the square. Battles play a fundamental role in mutations and reinventions of culture, as was the case with punchline, taking a new breath in how to make and organize rap. These changes that occur in rap did not come out of nowhere, they are the result of social transformations ”, concludes Felipe.

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